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Read More: 10 Worst Crimes Against the Star Wars Original Trilogyīest non-lightsaber bit: Again, with this not being a Jedi or Sith centric story, Rogue One is essentially a non-lightsaber film.
It’s probably a bit of a shame that this is the most memorable moment of the film, considering how hard it works to be a gritty war epic, but if you say you didn’t need a cold shower after watching this scene, you’re simply lying.
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The one and only lightsaber scene sees Darth Vader finally show us the full extent of his skills and power as he tears through a bunch of Rebels with his red glow stick of death, using the Force to pin one unfortunate chap against the ceiling before slicing him in half, and flicking his Sith weapon around in a fashion that makes his sudden bout of arthritis in A New Hope slightly confusing. But for what it lacks in quantity it more than makes up for in quality. The best lightsaber bit: This isn’t a film about the Jedi, and as such, laser sword action is in short supply. To a certain extent it feels like the entire thing is hinged on one particular crowd-pleasing moment – which we’re about to get into – and a couple of pieces of CGI wizardry. But it’s not a perfect film by any stretch.
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The fact that they’re all eventually disintegrated by a massive, population-cleansing green laser beam gave it a rewarding sense of finality – at least until they announced Diego Luna’s Cassian Andor would be getting his own spin-off series for Disney+. That’s perhaps what makes Rogue One such a satisfying watch. However, with none of the heroes making an appearance in any of the subsequent Star Wars films, it becomes quite clear that they won’t be making it out alive. Set just before the events of A New Hope, the film follows a new character in Jyn Erso, who leads the Rebels in a mission to steal to the Death Star plans and expose its gaping wide weakness. And then then there’s also the fact that the entire film centers around a certain planet-destroying space station. That was almost singlehandedly down to the gritty and worn-out world inhabited by the characters, which recreated A New Hope’s aesthetic.
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Stream everything Star Wars with a FREE TRIAL of Disney+, on us!ĭespite not featuring an opening crawl, the traditional fade and swipe transitions or even John Williams’ iconic theme music, Rogue One still somehow felt decisively like it was part of the Star Wars universe. This reportedly included an entirely different ending for the film, as well as the addition of several other individuals who helped correct its course.
There were some rather juicy rumors circulating at the time that director Gareth Edwards had lost complete control of the project, with the Oscar-winning Tony Gilroy being brought in to oversee wholesale changes. But it didn’t take long for skepticism to seep in after it emerged that the film had undergone significant reshoots to apparently give it more of a Star Wars feel.
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With it being the first ever Star Wars spin-off movie (or anthology film, as some of us like to call it), it was difficult to know what to expect. Not only did it have to bridge the gap between George Lucas’ disappointing Prequels and his beloved Original Trilogy, but it was also charged with steering focus away from the Skywalker Saga for the first time in the franchise’s cinematic history. The Phantom Menace may have had the difficult task of introducing Star Wars to a whole new generation, but Rogue One was arguably lumbered with an even tougher challenge.